Natasha | 26 | bilingual bisexual bitch

3liza:

sandersstudies:

Yesterday I almost cried because my baby cousin ran up to my grandmother and was like. “Ha! Buhbuh ba ha.” And she said okay you want to show me something? And he led her over to the garden patch and crouched down and pointed at rocks and plants and was like. “Ah. Habah ba ah” as she listened attentively.

And I was like that happened 1,000 years ago. Probably 10,000 years ago. Maybe 100,000. The youngest human in a group went to the oldest one and said to the best of their ability “come see.” And the adult went.

this is such a beautiful post it doesn’t need my dumb addition, but i can’t fit this in the tags. at the archaeological site Dolni Vestonice in the Czech Republic there are a bunch of really really fascinating finds and I’m only going to tell you about one tiny detail of one of the most interesting sites in the world.

at this settlement 20-30,000 years ago there lived a person who appears to have been a sort of sorcerer-grandmother-ceramics artist and her workshop was preserved very well in the sedimentary layers. her hut where she had her kilns was full of little sculptures of animals and people that seem to have been made to explode in the kiln on purpose, we’re not sure why but nevermind. the relevant detail is that when you sculpt something with your hands and then fire it, your fingerprints can be preserved in the surface of the clay forever, so we have fingerprints of ancient ceramics artists that have survived for tens of thousands of years. and one of the major artifacts from Dolni Vestonice has a fingerprint on it that is so small it could only have belonged to a child

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so this shaman-grandmother-sculptor, who was buried with her pet fox by the way, had children running through her workshop and touching everything she made while she was at her mysterious work of creating the world’s oldest ceramics, none of which appear to be bowls, bottles, pots, or any “useful” items at all, but rather a collection of animal and human and sometimes anthropomorphic figures, some of which appear to be self portraits. exactly the same as sandersstudios’ grandmother being led to the garden by an excited baby. we’ve all been the same for 30,000 years.

vaspider:

earhartsease:

calicojackofficial:

necphilak:

minim-calibre:

fagtrender:

unthrash:

rocky horror is the worst and is also transmisogynistic can we please finally get over this shit movie

ok but like the writer is transgender nonbinary and the language used in the play was the preferred language by trans people of that time can we not deny parts of our history because we’ve evolved since then thanks

So fucking much this.

PS, youth of today: you’ll be saying the same damn thing about art from this time before too long, for good or for ill. Terminology will, in fact, change. Definitions will, in fact, shift. It always does, they always do. 

PPS, it is pretty much impossible to overstate how life-alteringly important this movie was to kids who didn’t conform to standard expectations of gender and sexuality, back in the day. Especially when back in the day was the mid-to-late 1980s, when the only queers you saw on TV were neutered AIDS tragedies, Bowie was playing straight, and even Elton John was married to a woman, and midnight showing of RHPS were pretty much the only place that felt like home. It was mental life raft for a lot of people.

I was one of them.

#the queer youth of today has forgotten all its history and is spitting on its ancestors and i hate it (via @gaythreats​)

beautifully phrased

ALSO IT’S A SATIRE IT’S SUPPOSED TO BE AN “OFFENSIVE” PORTRAYAL IT’S MAKING FUN OF STRAIGHT PEOPLE WHO ARE AFRAID OF US IT’S EXAGGERATING THEIR IDEAS OF US TO THE POINT OF LUDICROUSNESS THAT’S THE ACTUAL POINT

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also you fail to understand just how many, many people were allowed to be queer for Tim Curry and how many doors that began to open

we say this as someone who was in several closets and first saw the film when we were 18 and that was 1981 ffs this film MATTERED

Rocky Horror kept me alive.